All posts filed under: Cultural Theory

Typography in Portugal

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Cities / Cultural Theory / Material Culture / Popular
cunha

Art Deco typography is ubiquitous in Portuguese cities. In many ways, it seems that the commercial areas of Porto and Lisbon ceased to evolve aesthetically at the moment António de Oliveira Salazar became President in 1932. His corporatist authoritarian government ruled until 1968. I’m very interested in the “lusotropical” Portuguese colonial project as part of my southern African research.  This semester I’m writing about Brazilian photographer Angélica Dass and her Humanae project, matching the skin […]

Creolization

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Cultural Theory / Historiography / Pedogogy

I was struck by a line in an article I read for my Harvard class, “Modern Speech and Other Kinds of Testimony,” by historian Megan Vaughan. The class, Themes in Modern African History, is taught by the formidable Caroline Elkins, who is generous with her time despite her demanding schedule, for which I am very grateful. The article is about the slippery nature of historical consciousness, and the ways in which the historian can unwittingly manipulate her subjects’ “identity.” Vaughan is […]

Ashes to Ashes

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Academia / Art History / Cultural Theory / Popular
independence

The Second Life of Kiluanji Kia Henda’s Afrofuturist Critique (This is the first bit of  a paper I wrote for my methods class in fall, 2013) African artists born to a post-independence continent,[1] curiously placed in the temporal limbo engendered by their new nations’ violently dynamic notions of future and past, are socially empowered as image-makers to realign, reshape, and rename the world. The African artist’s process is an enactment of his nation’s negotiation with modernity; the […]