Category: Cultural Theory

Architecture pop songs

During the fall semester my graduate students engaged in an internal competition to design and build an outdoor pavilion using only recycled cardboard. One student, who owns a programmable remote camera, snapped pictures of the build at 30 second intervals. He then made a video by stringing the images together and setting them to music. I was hoping for “We Built this City [on rock and roll]” by Jefferson Starship (released by Grunt in 1985), but the students chose a different soundtrack.

I started to wonder, how many popular songs exist which feature architecture as a core lyrical element? I thought of “Our House” (Madness, The Rise and Fall, Stiff Records, 1982), and “Burning Down the House”  (Talking Heads, Speaking in Tongues, Warner Brothers, 1983), but was at a loss for notable others. “Welcome to the Jungle,” Guns n’ Roses’ song about Hollywood, doesn’t count, because it’s more sociological then architectural (Appetite for Destruction, Geffen Records, 1987).

I’d like to gather a playlist of architecture pop songs. Please post your ideas. ♦

The uncanny of Wes Anderson

Last night I watched Fantastic Mr Fox, directed by Wes Anderson (Twentieth Century Fox, released 2009). It’s based on a story by Roald Dahl, heavily altered by Anderson. Fantastic is a puppet movie, which is fun in itself, and it’s voiced by some great Anderson regulars (Owen Wilson, Bill Murray, Jason Schwartzman), with a sprinkle of A-list actors, namely George Clooney and Meryl Streep who voice Mr and Mrs Fox. Most of the film’s characters, in fact, are woodland creatures, like Fox, Badger, and Weasel, who wear clothes and walk on their hind legs.

Anderson’s films are always quirky, and often dark, not unlike movies by the Cohen Brothers. After watching, I began to reflect on the uncanny moments in Fantastic. Take for instance the character of the Lone Wolf, who appears only briefly, and who doesn’t speak English like the other animals. [more...]